Following on from SHELTER, the setting is again an air-raid shelter. Close-up images of trees are dissected and reformed abstractly. The film culminates with images of elderly survivors of the war in another example of Aihara’s unique blending of documentary storytelling with abstract illustration. ... + More
Following on from SHELTER, the setting is again an air-raid shelter. Close-up images of trees are dissected and reformed abstractly. The film culminates with images of elderly survivors of the war in another example of Aihara’s unique blending of documentary storytelling with abstract illustration. (Source: Collaborative Cataloging Japan) - Less
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